Some Images of Unlikely Printed Materials

Returning home for break and thought I would share some of my favorite images from unlikely printed materials:

Many textiles such as this one are printed by gravure or flexo
This is most likely a flexo process

From the rings around the edges my guess this keyboard was printed flexo
This statue is actually digitally printed by a process in which the "ink head" layers a powder material
This is also another bunch of 3D printed material

Digital Print Engine Comaprision

This is a recent paper I had to do for a Digital Print Processes Class I am taking at RIT

Cannon Image Press C6000

The Cannon Image Press C6000 print engine is very similar to the process of electrophotography.  These steps are as follows – the charging of the photoreceptor, discharge of the image areas, developing of image areas, the transfer of toner to substrate and finally fusing of the image to the substrate.

Canon U.S.A. Incorporated, promises that the C6000 press will provide “image quality, productivity, and versatility” (Cannon 2). The first step that occurs within the C6000 engine is the charging of the photoreceptor. Then, the discharge of the image areas occurs using a twin red laser. Cannon claims that this special red laser allows for resolutions up to 1200 by 1200 dpi (C6000 Video). The next step within the process is the developing of the image using toner. The C6000 uses a four-color toner system, which does not allow for Pantone colors. However, much like other presses, the C6000 uses the Digital Front End to store CMYK equivalent colors in its library to allow for reproduction of these colors. Toner is placed on what Cannon calls an E Drum, a compact roller that helps carry the developed toner to the Advanced Image Transfer Belt (AITB) (Eddy par 4). The Advanced Image Transfer Belt is the main difference from the typical electrophotography process. The AITB is the intermediary that transfers the toner to substrate, instead of transferring the toner one color at a time, the AITB “transfers all four colors to the page in a single pass for a better impression on a wider range of coated, uncoated, and specialty stocks” (Cannon 7). Toner on the Cannon is known as a quick fix toner (often referred to as “V” toner) and allows for the fusing process to be faster than on a typical machine (Eddy 5). Lastly, the C6000 uses the fusing process to secure toner to the substrate. Cannon uses a “dual fusing system,” which is a method of heat pressure fusing, common in many digital printers (Cannon 6).

 

HP Indigo s5500 Digital Press

In contrast to the C6000, the HP Indigo varies more from the traditional electrophotography process. The most noticeable difference in this process is the use of liquid ink known as Electroink. This ink contains only two percent toner, imaging oil and an imaging agent, unlike that of the dry powder toner that is used in typical digital printer (Vogl Lecture). Just like a typical photoreceptor, also called the PIP or Photo Imaging Plate, is given a negative charge (Influence Graphics Video). Next, the image area is discharged using a laser on the PIP, which leaves a latent image area. The electroink is then attracted to the image area via the Binary Ink Development unit (BID), leaving electroink on the image areas of the PIP (Hewlett Packard Video). This is when the “inked image is then transferred to the electrically charged Intermediate Transfer Drum (ITM)” (Vogl Lecture). The Indigo is similar to the original process of electrophotography in that the image is not directly placed on the substrate with toner, but the process does differ in the fusing process of ink to the substrate. The impression cylinder makes a single rotation for each color instead of a traditional process, and the Intermediate Transfer Drum (ITM), which is electrically charged, transfers the image to the substrate.  The inks on this printer dry almost immediately to the surface, allowing for prints to come out of the printer dry. This is due to the high heat that the ITM reaches, which causes the imaging oil to be refracted and the toner to bond and become solid (Print Applications Lab Video). The substrate “then passes between the ITM and the impression drum” (Vogl Lecture). The toner is transferred to the substrate, and the PIP rotates past the cleaning station, which removes any residual ink and charges (Vogl Lecture).

Xerox iGen 4

The Xerox iGen 4 utilizes a unique way to build an image, using as its base the steps of the traditional electrophotography process. However, it adds a slight twist, utilizing a belt mechanism to image the substrate being printed. The iGen contains four developer housings for each of the four colors of CMYK. The image is created on the photoreceptor belt, by charging, imaging it and recharging the photoreceptor for each separate color (Xerox Video). A scorotron charge is then released onto the photoreceptor belt. After this occurs, a laser will release the toner onto the belt, which is then developed. This occurs for each color in the order of Magenta, Yellow, Cyan and Black respectively (Xerox 7). The image is developed by a cloud of toner in between two donor rollers, which are then transferred to the photoreceptor belt (QDoxs Video). The donor rollers help to protect the toner on the photoreceptor belt, allowing for all four colors to be printed with out disruption of another toner layer. The transfer step occurs when the Pretransfer Erase Lamp exposes the belt to loosen toner and then a “hybrid Air Knife removes carrier beads and agglomerated toner particles from the belt” (Vogl Lecture). What is known as the pretransfer belt then uses a charge to help remove the toner from the photoreceptor, and a “Transfer Assist Blade presses substrate to the photoreceptor belt” (Vogl Lecture). What is known as the Detack Dicorotron applies a negative charge underneath the substrate to ensure limited friction between itself and the photoreceptor belt. The image is then transferred in a reverse order of KCYM. A front erase lamp erases any residual charge on the photoreceptor to ensure a clean area for image creation for the next pass. Finally, the image is fused using a contact fuser to create a final product.

Ricoh Pro C550EX

Of all the print engines explored in class, the Ricoh Pro C550EX truly encompasses the original electrophotography process. This is printer is geared towards small business and small print on demand jobs, so it is more user friendly and closer to electrophotograhpy.

The first step in the C550 EX is the charging of the photoreceptor. The printing process uses a scorotron charge to create a uniform charge on the photoreceptor (Ricoh Video).  Using a laser, the image area is then selectively discharged just as was shown in class. The toner is then taken up with carrier beads and adheres to the image area. Ricoh has a unique system of toner that allows for finer details – “Sharpen every image with new PxP toner technology. Smaller toner particles ensure smooth, even distribution, which enhances edge definition, coverage and density while improving color matching” (Ricoh 3). This actually appears to be a major selling point of this printer according to many print blogs online (ESRI Forums Web). Also, within the development stage, the C550 runs a “parallel calibration to ensure consistent color quality over long job runs,” to assist with correct color management (Ricoh 3). The image is then developed. The next step in the process requires a transfer of the image to the substrate. The transfer of the image occurs on a belt system to make sure that the substrate receives toner is a smooth and efficient fashion. During the transfer stage, the printer is equipped with a registration sensor to make sure that paper stays in line when the substrate moves through the machine (Gregor Communications Video). This carries through to the fusing process, where the “system incorporates a smaller, more precise mechanism for moving paper in and out of the fuser unit” (Ricoh 3). By allowing for this, heaver stocks of substrate are able to move more easily through the fusing unit, which allows for more of a variety of jobs to be done on this machine.

 

 

Creative Business Cards for the Small Budget

In preparation for GraphExpo (yay!), many of the RIT students are busy printing their first ever business cards. Everyone is in a quest to standout from the norm and be remembered with a small 2″x3.5″ piece of paper. However, the real problem with business cards is that it always seems that when you “Google” creative business cards  that you find cards that if you do the math in your head would cost a student their grocery budget for two weeks! My love for these cards are super strong, don’t get me wrong (I look forward to the day when my business card can be made into a spork, it does exist and it is awesome). But for now, I thought I would demo three more expensive cards paired down for a smaller budget.

The Fold

This card from Signa is really interesting it not only has a dye cut on it but it folds to reveal more information! For this style of card with a fold the price would be pretty hefty since not only are you paying someone to fold the card but also you have to deal with a custom dye cut cost. To get around this, you could make a trifold card which would be three business cards “stacked” together. This allows you have more space and fewer cuts come press time. Also the folding can easily be done by hand if you are only making a few. The best part is…you get to put more information about yourself. Maybe  you could add your goals, an abbreviated resume or an example of your work…the possibilities are endless!!

 

 

 

 

These great cards are from Bethany Flannery a graduate of RIT! Check out her site: http://bethanyflannery.com/

 

 

 

 

 

 

 

 

 

 

 

The Embossed

Embossing is so wonderful! It adds that extra punch to many printed products even business cards and this card by John Henry is not exception. As usual embossing costs money and for those short on cash and equipment, it can really be a pocket drainer. Yet if you look at the card closer you can see other design elements being used within the card. For example, scale of the initials, typographical contrast and positive and negative space. By playing off these elements and using them as the driving force of the design you can easily imitate the general feel of the design.

 

 

Chris Little a senior in SPM at RIT's card

 

 

 

 

 

 

 

 

 

 

 

 

 

The Dye Cut

The coolest business cards are usually the dye cut ones. They feel different in your hands and look really cool. However, I have noticed they do get lost a lot easier in the shuffle since they are usually smaller but hey to each their own. The card done by Timebomb Custom Letterpress is AWESOME but considering they are a print shop they probably have a dye cutter on hand and made these pretty cheap. However, if you were to order these from someplace…it’s another story. There is hope and it is called AC Moore. If you go to AC Moore they have dye cutters that run from about 14 to 20 dollars each allowing the every man to have their own dye cut business cards. If you do it yourself you can really save on finishing costs from a shop. Fair warning though make sure you make the cards a bit bigger to compensate for the dye cutter!!

 

 

 

 

 

 

 

 

This Dye Cutter is only $3.95 used!
This Dye Cutter is only $3.95 used!

 

 

 

 

 

 

 

 

 

 

What did I make for GraphExpo? You will just have meet up with me to find out!

Want to see more cool business cards? Check out http://designrfix.com/inspiration for some more cool ideas!!